Showing posts with label Album Covers. Show all posts
Showing posts with label Album Covers. Show all posts

Monday, December 6, 2010

Anja's Tattoo - A Brother and Sister Find Common Ground

Anja was visiting New York City from Denmark earlier this fall, when she ran into me in Penn Station. Of course, I was thrilled when she agreed to share this tattoo with us here on Tattoosday:


This tattoo on Anja's calf is based on the cover art from Es ist soweit, a 1990 album from a German band called Böhse Onkelz.


This record has significant meaning for Anja because it helped bring her and her brother together. She explained that they lived apart and didn't talk much, growing up in separate households. She was living with her grandmother, and came to visit her father and she was walking past her brother's room and heard him listening to this record.


The music brought them together, as she stopped to talk to him about it, learned that he had been listening to Böhse Onkelz longer than her, and this common ground broke the ice. Whereas before they had very little to talk about, Anja credits the band and this album with helping establish ties with her brother.

The top of the tattoo starts a lyric

and ends with


The lyric in question, "Let's forever be that Rebel Monster" is actually from a song by Volbeat, a Danish rock band, on their first album The Strength/The Sound/The Songs. The date below, "29-07-19--" is her brother's birth date.

This cool, meaningful tattoo was inked in Denmark by an artist named Dennis Wehler. I love how the words seem to be carved in her flesh.

Thanks to Anja for sharing this wonderful tattoo with us here on Tattoosday!

As a bonus, here's a little "Rebel Monster" from Volbeat:

Thursday, August 5, 2010

Two Rocking Tattoos from Joe

I met Joe last month outside of Penn Station and he shared two tattoos with us.

First is this hellcat:


Why this cat? It's a design, Joe says, inspired by the band Rancid, whose music appears on Hellcat Records.

Not to mention, he likes cats. Need he have more reasons? That's on his upper left arm.

I'm more excited to share this photo, which actually is a rare Tattoosday shot in which one can see the contributor's face. I could have cropped it out, but I think it's a cool shot.


This tattoo arose out of Joe's desire to have some body art made with red ink. The design is based on the album art for a disbanded musical act out of Washington called Isa.


The two tattoos are among five Joe has in total and were done by Milton Sillas at Tattoo Royale in the Pacific Beach section of  San Diego, California.

Thanks to Joe for sharing his ink with us here on Tattoosday and for waiting so patiently for me to get to his tattoos. The summer backlog is both a bane and a blessing.

As a postscript, readers familiar with the site will notice that I've watermarked these photos. I've grown tired of seeing Tattoosday content appropriated elsewhere on the web, without attribution. This is an attempt to maintain credit of our content here at Tattoosday.

Saturday, April 17, 2010

The Tattooed Poets Project: Julie Platt

I always feel like I'm not doing a tattoo justice when it wraps around a curved limb. Generally, I will be reluctant to showcase a piece without displaying the entire tattoo, even if that means multiple pictures shot from different angles.

Today's tattoo is one of those rare designs that is worth sharing, even if the reader can't behold every inch of it.

Julie Platt sent these photos, along with an explanation, which follows:




Julie says
"It's the audio waveform of a blackbird song made into bracelet around my left wrist. It's inspired by an image on the cover of Kate Bush's album Aerial.


I got this tattoo to commemorate earning my MFA -- I wanted something visible to remind me of poetry, whose root is song."
The tattoo was inked by Chris Boilore at Fish Ladder Tattoo, in Lansing, Michigan.

Check out one of Julie's poems over on BillyBlog here.

Julie Platt was born and raised in Pittsburgh and now lives in Michigan. Her print poetry chapbook, In the Kingdom of My Familiar, was published by Tilt Press in 2008. My mini e-chapbook, Imitation Animals, was published by Gold Wake Press in 2009. Two poems from
Imitation Animals were selected to appear in Dzanc Books' Best of the Web 2010. My work will also appear in the forthcoming e-anthology Poems to Sweat By: Hungry Young Poets 2009, published by VanVinkinroy's Indie e-Book Emporium.

Thanks to Julie for sharing this great tattoo with us here on Tattoosday!

Tuesday, March 16, 2010

Two for Tattoosday: Vanessa's Ink (Two Hearts Beat as One)

I met Vanessa last week and she generously shared two of her wonderful tattoos.

This piece on her inner right forearm was her first tattoo:



This design is based on the album cover of Poison the Well's You Come Before You.


Vanessa explained that this was the album she listened to when she was visiting her mother in the hospital. Her mom recovered, and she associates the record with this time of her life. The tattoo celebrates those moments.

The second piece she shared was inspired by her father:


Unlike with her mom, Vanessa does not have a relationship with her dad. The optimistic banner "may we meet again" is a glance forward, toward the possibility of someday reconnecting with him.

This large tattoo, on her right biceps, took eight hours, all in one sitting. The detail of the anatomically-correct heart is amazing. Vanessa pointed out how the artist added flowers to the design, as well as the rays of light in the upper right corner to create the shape of a figurative heart, as well.

Both pieces were created by Anthony Mealie at Tattoo Lou's in Selden, New York.

Work from that shop has appeared previously here.

Thanks again to Vanessa for sharing her wonderful tattoos with us here on Tattoosday!

Friday, August 28, 2009

Gregory's Defenders of the Faith Tattoo

Gregory walked by me on Seventh Avenue in front of Madison Square Garden and I saw a familiar icon from my youth:


As a huge fan of Judas Priest in the 1980's, I recognized the basis for this tattoo immediately: the cover art for the 1984 album Defenders of the Faith.


Gregory has four tattoos and is a fan of Japanese-style art. This album and its predecessor, Screaming for Vengeance, boasted cover art that had a distinct Japanese influence.

He worked with the artist, C-Jay at Rising Dragon in Manhattan, to modify the design slightly, removing the tank treads and other militaristic elements from the original design.


Thanks to Gregory for sharing his amazing tattoo with us here on Tattoosday!

Thursday, July 30, 2009

Chip and Tom and Frank

Sometimes, the subject of a tattoo is unclear to the un-illuminated eye. Curiosity compels one to ask: what is that?

And the answer makes sense. And one marvels at the mind behind the man (or woman) who says,"Yeah, let's put that on me forever."

Such was the case during rush hour on the N train. An guy named Chip stood nearby and his right forearm intrigued me. I couldn't make out what his tattoos were. Can you?


When I asked, he explained. The top piece is a photograph from a Tom Waits album:

Despite ascertaining this is a Tom Waits photograph, I can't pinpoint where it came from. If anyone knows for certain, please let me know. The tattoo was done by C-Jay at Rising Dragon Tattoos in Manhattan. Work from Rising Dragon has appeared previously here.

Below the Waits tattoo is a Frank Zappa piece:


This is based on artwork that appeared on the back cover of Zappa's autobiography The Real Frank Zappa Book:


This piece was tattooed by an artist he only identified as Chris at Marco's Tattoo in Wakefield, Rhode Island.

Obviously, Chip is a huge fan of both Frank Zappa and Tom Waits. That's all there is to it.

Thanks to Chip for sharing his cool and unusual tattoos with us here on Tattoosday!

Sunday, July 19, 2009

Jonathan Gives Us a Sun on a Sunday

I met Jonathan in Brooklyn Heights and he shared this, one of his four tattoos:


This tattoo, on his inner right forearm is based on artwork he found on the CD of Ofra Haza, an Israeli musician with Yemenite roots.


Jonathan believes it to be a middle-Eastern symbol that is a "stylized sun." It is ambiguous enough to cause many to take pause and ask him what it is. Some have even questioned if the outer circle is comprised of coffee beans. He appreciates the solar representation illuminating his arm.

The tattoo was inked by Steve at Artfreek Tattoo in Providence, Rhode Island.

Thanks to Jonathan for sharing his tattoo with us here on Tattoosday!

Wednesday, May 20, 2009

Lauren's Thigh Tattoo Salutes Mastodon


If you're reading this post and the Tattoosday banner features some wonderfully-inked revolvers, those "hand guns" belong to Amanda and the original post is here.

Just recently, I was thinking that I hadn't seen Amanda in a while and was wondering if she still lived in my neighborhood. Later that day, a much-tattooed woman named Lauren walked into the laundromat where I was packing up the weekly family wash.

I had never met Lauren before, but she knew about Tattoosday because she was friends with the aforementioned Amanda. She told me that Amanda had moved out of our neighborhood (thus explaining her scarcity) and yes, she was happy to share a piece for the blog.

Lauren has a vast array of ink, thirteen tattoos by her count, and she offered up this phenomenal thigh piece:




First of all, we don't show too many thighs here on Tattoosday, partly because they're only visible when it's warm enough for shorts. But more importantly, people with thigh tattoos tend to be few and far between, to begin with.

So what's with this image?

Lauren explained it is the album art for the metal band, Mastodon, off their debut album, Remission:


In fact, Lauren saw them play that same night at Irving Plaza with the bands Kylesa and Intronaut. Check out the awesome blog Brooklyn Vegan here to see a write-up and photos of the show.

This amazing tattoo was inked by Andrea Elston at East Side Ink. Ms. Elston has since departed New York and now tattoos out of Classic Tattoo in San Marcos, Texas. Work from East Side Ink has appeared previously on Tattoosday here.

Thanks to Lauren for sharing her cool tattoo with us here on Tattoosday! I'm looking forward to (hopefully) showing more of her work here on the site in the future!

As a little extra bonus for Mastodon fans, or for people who want to hear what they sound like, here's the band performing their Grammy-nominated song "Colony of Birchmen" with Josh Homme:

Saturday, May 16, 2009

Mike's Lion-Skeleton Tattoo

I met Mike outside of Penn Station after work last Friday. He has five to eight tattoos in all, and he had this pretty cool piece to offer:


This piece is all original artwork by the artist, Doug White, formerly at the Ink Spot Tattoo Studios in Linden, New Jersey, back in 1995-6. Mike doesn't know where Doug ended up, but he believes he's now tattooing out in Texas.

He also mentioned there's a figure at the top of the piece which is loosely based on Eddie, the Iron Maiden "mascot":


This segment of the tattoo seems inspired by Iron Maiden's album cover Seventh Son of a Seventh Son:


The lion is also very nicely done:


Thanks again to Mike for sharing his tattoo with us here at Tattoosday!

Saturday, September 20, 2008

Sal Shares His Illusion-ary Tattoo


On Tuesday I was in Brooklyn Heights, walking toward Cadman Plaza on Clark Street. As I passed a local video store, Mr. Video III, I spotted some ink on one of the employees and decided to head in and introduce myself.

Sal has seven tattoos, but he chose to share the one above, from his left bicep.

This is, of course, recognizable to anyone who is a rock fan, as the artwork gracing the cover of the 1991 Guns N' Roses album Use Your Illusion I. A G n' R tattoo appeared on Tattoosday previously here.

Sal had this inked because the album was released at a point in his life, when he was a senior in high school, when most people are most impressionable and affected by massive displays of musical force. The album, and by extension, the tattoo, was something he could cling to, a great avenue by which he could "express his rage".

With G n' R classics like "Right Next Door to Hell," "Don't Cry," "Back Off Bitch," and the Wings cover "Live and Let Die," the album is a tour de force of hard rock angst.

Sal also acknowledges that he, like many others who were fans of the band, developed a greater appreciation of classical art, as the image form the record (and its companion, Use Your Illusion II) are based on a detail in the Italian Renaissance painter Raphael's , The School of Athens:


Or, the detail used:


Sal says that this piece was inked around 1994 by an artist named Jason, who worked with the studio of the late great Huggy-Bear Ferris in Park Slope. Work from Huggy-Bear has appeared here previously on Tattoosday.

Thanks to Sal for sharing his tattoo here on Tattoosday. As I will be passing by Mr. Video III on a more regular basis in the future, I hope that Sal would share more of his tattoos with us in the future!

Tuesday, June 10, 2008

Appe-tattoo for Destruction

Sorry. I couldn't resist.

Spotted this very well-done piece honoring what many consider one of the greatest hard rock albums of all time, Guns N' Roses Appetite for Destruction.


Edward didn't mind stopping in front of Madison Square Garden and sharing his tattoo that was inked three years ago at Omega Tattoos in Queens.

This is Edward's only tattoo. Thanks to him for sharing it with the rest of us here at Tattoosday!

Saturday, May 3, 2008

Matt's Aubrey Beardsley Tattoo (Salome for the 21st Century)


I spotted this tattoo on the inner forearm of Matt, on April 26, 2008.

I was just about to leave St. Mark's Church in the Bowery, a church that is a landmark edifice, both architecturally and culturally, on the Lower East Side of Manhattan. There had been a poetry reading earlier in the day, a tribute reading to Barbara Guest, who died in 2006. I was packing up my bag to leave the wine and cheese reception when I spotted the ink out of the corner of my eye.

"It's based on an Aubrey Beardsley woodcut," Matt explained, "it's Salome".

Oh, the Dance of the Seven Veils. Matt nodded, but went on to explain that the tattoo was modified a little.

For example, in the original woodcut, Salome is holding the severed head of John the Baptist. I believe this is the Beardsley woodcut to which he was referring:

Matt's friend Kazumi Kikuchi helped revise the sketch to alter the head to a broken heart. He also added the Japanese characters at the top of the piece.

Matt gave credit to the band Daddy for the broken heart image which replaced the severed head. He said that the image was on an album cover of theirs. I was unable to find any art from the album but did find this promo shot, which has the heart image in the lower corner:


This piece was inked at Atomic Ink in Hudson, New York. Matt, who has "4 or 5" tattoos, did not recall the name of the artist.

I thanked Matt for talking with me, but decided to ask one more question. "What's with the heart at the bottom of the piece?"


"Oh," he smiled, "My wife, Laura, did that, with a needle and some India ink". Laura, sitting nearby, piped in, "I have a matching one here," pointing to her right thigh, "but you can't see it." Her jeans prevented an easy peek.

Thanks to Matt for sharing his woodcut tattoo with us!

Friday, May 2, 2008

Candice Explains Her Six Interesting Tattoos

I first met Candice a couple of weeks ago when I spotted some very interesting tattoos on her arms and told her about Tattoosday.

She was on her way back to work from lunch, so she took a flier and said she'd check it out. She e-mailed me later that day and we agreed to meet a week later to talk about her six tattoos. She has three on her right biceps, two on her left, and a chest piece.

Candice works for a New York-based non-profit hunger organization, and gets to travel a bit. I discovered, as she went through her tattoos chronologically, that she collected tattoos in various cities across the country.

Her right arm has three pieces:

The one on the top right is her first:

This was inked in August 2003 when she was 19 at Distinction TA2 in Sunset Park, Brooklyn. She thinks the artist’s name was Carlos, but doesn’t remember for sure.

Since the age of 10, Candice has been fascinated by Iceland. She pointed out her ancestry is Sicilian, not Icelandic. Nonetheless, she has always loved Iceland. Thus, her first tattoo was the Icelandic crest, which graces the backs of most coins, or kroná, in the country.

The four quadrants each represent one of the four mythical Guardians of Iceland, each in turn representing the North, South, East and West sections of the country. This myth is central to Icelandic culture (read more here).

Clockwise from the upper left, there is an eagle, a dragon, a mountain giant, and a bull. Candice has a special affinity for the bull as her astrological sign is Taurus.

Her second piece was inked in August 2004 at the same shop in Sunset Park by Rob. The person who did her coin had subsequently left the shop:

Aside from liking birds, the piece's design history came courtesy of her boyfriend at the time (they have since broken up but remain friends). He found the bird image in a textbook and duplicated and customized it into a larger collage. At a time, she thought about using it as a back piece, but they pared it down to fit on her biceps. She's not sure what type of bird it is, but it remains one of her favorite pieces. I love the inverted imagery, which recalls a bit of yin-yang correlation.

Her third tattoo is a very basic, rudimentary design. Flipping back to her left arm, Candice explained that it represents a medieval watermark of a crossbow:

At first, I wasn't very impressed by it. Then I got the story. She was visiting New Orleans on business, pre-Katrina in March 2005, and it took all of 7 minutes and cost only $25. The piece was inked at Eyecandy Tattoo in New Orleans and, Candice believes that the artist was intoxicated ("I think she was drunk. It was a total New Orleans experience.")

She sensed my surprise at her analysis of the sobriety of the tattooist. Diplomatically, she re-stated, "Well, she was drinking a beer while doing it. She said not to worry, she worked like that a lot." So, let's give the tattooist the benefit of the doubt. Maybe not drunk, but certainly quick.

And why the crossbow watermark?

The crossbow represented a Medieval theme, another subject of interest in Candice’s life.

This watermark design also appears on the cover of the first single by an artist named Jason Molina, performing as Songs:Ohia.

Tattoo #4 was inked in August 2005, her third August tattoo in a row. The design originated after waking up from a dream and immediately drawing the image that had been so prominent in the dream state. She designed the piece, purposely modeling the hands after her own, down to distinctive spots and coloring:

My first impression was that it was a variation on the claddagh ring, with the two hands and the heart in the center of the balloon. Candice was surprised when I mentioned that, but acknowledged the similarities, although she had never considered them before. In fact, to Candice, this tattoo represents one being able to let go of things in life, while at the same time allowing things to come back, as well. In essence, it embodies one’s ability to control one’s own happiness.

When I asked Candice why it was the sole tattoo of hers in color. She simply replied, “Because I dreamt it in color.” Makes perfect sense. I could probably write another page about the apparent influence that The Wizard of Oz had on this tattoo. I say apparent, because the movie never came up when we discussed it. But the theme is applicable, the dreaming in color is similar, and the hot air balloon, which was what transported the wizard to the land of Oz, also makes the case for an homage, conscious or sub-conscious, to the images of L. Frank Baum.

Interesting to note that this piece was inked by Kelly Krantz, formerly of FlyRite Studio in Brooklyn. Kelly’s appeared previously here on a tattoo I spotted just a few blocks away.

Candice’s fifth tattoo was inked in March 2006 while on a trip to San Francisco. I actually didn’t take this photo, which she understandably provided to me. It’s a chest piece that runs vertically from the middle of her chest down to her stomach:

This style of ink is known as a “Sailor Jerry” tattoo, which is basically classic, old-school tattooing. Candice just loved this piece of flash art. This photo was taken about a week after the piece was done at Black & Blue Tattoo, “a woman owned and operated San Francisco tattoo shop”. The fact that it is woman-owned increased the comfort level significantly for Candice, as the inking required much more exposure than she had been used to with her arm tattoos. She also noted that the location on her body created an interesting sensation: both pain and laughter - it tickled and hurt simultaneously! The artist was Natalie Chandler, who is now working out of Oakland.

And finally, her last piece is a line drawing of a structure representing a house:

This image appeared on the cover of an album by the band Modest Mouse called Building Nothing Out of Something.

This piece was inked by Curtis James at Anchor Tattoo in Seattle, in January 2007. Modest Mouse is from the Seattle area and when Candie was visiting her ex-boyfriend, and several other friends, the image from the album seemed apropos, as she felt she was in a home away from home.

Well, I must thank Candice for her active participation in this post. She and I exchanged multiple e-mails, coordinating our schedules so I could snap the pictures, and she made my life easier by doing a lot of the research on her tattoos. Thank you for sharing your ink here at Tattoosday!