Tattoosday Goes To Hawai'i: Mark's Sleeve Pays Tribute to East and West

I spent a good chunk of time at Ala Moana Center one of the days I was in Hawai'i. Even in paradise, malls are great places for inkspotting.

It was there that I met Mark, who had a full sleeve to offer up.

Now, before we begin, let me just say that I generally shy away from featuring full sleeves here on Tattoosday, out of respect to the host, the artist and, most of all, the tattoo. A work of art laid across flesh is often difficult to express in two-dimensional photos on a computer screen.

But Mark's sleeve was exceptional and I loved the color detail in the work. So let's check it out....

Items to note in this work:

Mark was born in the year of the Snake, which explains the serpent.

He was also born during Autumn, which is why the Japanese Maple leaves are sporting fall colors.

It's also generally non-traditional to see a bright red rose in a sleeve that is predominantly Japanese. He incorporated because he is, as he described it, "hapa," a shortened form of "hapa haole," or a person of mixed heritage, part of which is Caucasian. To make a long story short, the red rose is a nod to the "Western" aspect of his lineage, as it is more a traditional element in tattoos in the west. The rose is complimented by the chrysanthemum, which is a more traditional Japanese flower design.

Similarly, the skull element at the top of the arm is more of a Western flavor, juxtaposed nicely with another chrysanthemum.

I also love the multicolored pebbles in the design. They really pop out, especially among the milder tones of the autumn leaves and snake scales.

Mark informed me that the whole sleeve was completed in five or six sittings by Lucky Olelo at Soul Signature Tattoo in Honolulu.

Thanks to Mark for sharing his amazing work with us here on Tattoosday!

The Tattooed Poets Project: Brendan Constantine

One of the more satisfying aspects of this year's Tattooed Poets Project has been completing posts for poets who first contacted me in 2009 during our inaugural year of the endeavor.

In Brendan Constantine's first e-mail to me, back in February 2009, he mentioned being "extensively tattooed," a fact that, over the last thirteen months, escaped me. Brendan and I have stayed in touch, and he was finally able to send me a photo last night of one of his tattoos. I was surprised to see this amazing back piece:

Photos by Shawn Burkley

Brendan explains how this work came into existence:

"In 1994 I went to an retrospective of legendary Japanese artist, Kawanabe Kyōsai, at the National Gallery in London. Known as the ‘Demon of Painting,’ Kyōsai was among the very first artists in his country to bring western techniques to bear upon traditional themes, a move which earned him much criticism. I was transfixed by his work and came home with a huge book of his prints. Artist, Kirby White, then with Yoni Tattoo in the San Fernando Valley, shared my enthusiasm for this unique painter and said, “I would kill to work in this style!”

Unfortunately, halfway through the process, Kirby began to experience chronic back pain which ultimately kept her from finishing the piece. Nevertheless, I asked that she sign it, something few if any people allow artist’s to do. I know the work is supposed to be its own signature, but I wanted the piece to bear Kirby’s mark the same as if it had been rendered on rice paper.

Photos by Shawn Burkley

About two years later I met artist Sung Song at Pure Tattoo in Los Angeles (he has since moved on, now at Unbreakable Tattoo in Studio City) and discovered he was also devoted to the work of Kyōsai . I showed him where Kirby left off and he enthusiastically finished the job, adding his own improvisations while respecting Kirby’s work. The piece now bears both their idiographic signatures as part of the design. I’m a happy gallery!"

Photos by Shawn Burkley

Thanks to Brendan for sharing this amazing work!

Please be sure to head over to BillyBlog to read one of his poems here.

Brendan Constantine is a poet based in Los Angeles. His work has appeared in numerous journals, notably Ploughshares, Ninth Letter,The Cortland Review & RUNES. His book, Letters To Guns, was released in 2009 from Red Hen Press. He is currently poet in residence at The Windward School and Loyola Marymount University Extension.

Juan's Sleeve, Traditional Elements, Inked in the Bronx

A burst of pleasantly warm weather this week signified the end of a quiet winter.

Posts have been scarce indeed, but I see busier times ahead.

Wednesday afforded me my first "Tat* Trick" of 2010. That term, for those unfamiliar, is reserved for a day when I meet and photograph at least three tattoo hosts. Even rarer is the "Lunch Tat Trick," which involves me getting photos from three people (or more) in the course of an hour, on my lunch break.

So I am grateful for the following contributor, and the two three other nice people from the 10th of March.

I spotted Juan in Penn Station and he offered up this half-sleeve-in-progress, which includes a skull element and a panther :


Inked by Freddie Arroyo at Cool Hand Tattoo in the Bronx, this tattoo features his ideas and the artist's interpretation of the suggested design elements. The mask at the bottom of the design is one element I find exceptionally interesting, as it deviates slightly from what a traditional demon mask looks like, and takes on a slightly more original appearance which more likely reflects the style of the artist:


The work as photographed represents two sittings. Not seen in the shot above, but quite impressive, is the work and color of this flower, which is on the inside of the biceps, extending into the ditch:


Thanks to Juan for sharing this tattoo with us here on Tattoosday!

* Ed. Note:Tattoo purists often raise an eyebrow at the term "tat" to denote a tattoo. I generally employee it when I am attempting a clever play on words. Sometimes, I fail.

Tattoos I Know: Paul, Part 5 or, The Great Cover-Up of 2008, continued...

In December 2008, we posted about our friend Paul getting some cover-up work done on his upper right arm. Revisit the report here.

We checked in with Paul again this past November to see the progress (here). And, just last Friday, he updated us again on the latest efforts by Horisei, who has one more session before this cover-up is done:


Horisei tattoos out of the Chelsea Tattoo Company, formerly the home of Rising Dragon.

Thanks again to Paul for sharing. I'm guessing we'll see the finished product later in 2010!

Doug's Dragon

Back on July 13, I posted a photo of Doug's Geisha. Doug was waiting around the Penn Station area before heading down to see Horisei, at tattoo artist working out of Rising Dragon's Chelsea Tattoo Company.

Doug followed up his moment in the Tattoosday light by sending us photos of the work he had done that day. As would be expected from work by Horisei, the tattoo is beautifully done:






Work from Horisei has appeared previously on this site here.

Thanks again to Doug for sharing his new tattoo work with us here on Tattoosday!

Tattoos I Know: Paul, Part 4, or, The Great Cover-Up of 2008, continued...

Late last December, we posted about our friend Paul getting some cover-up work done on his upper right arm. Revisit the report here.

We recently checked in with Paul to see how things were going, and he updated us with the latest efforts by Horisei, who is about a session away from finishing this beautiful work:




Horisei tattoos out of the Chelsea Tattoo Company, formerly the home of Rising Dragon.

Thanks again to Paul for sharing. I'm guessing we'll see the finished product some time in 2010!

Great Japanese Full Body Tattoos Design

Japanese Full Body Tattoos Design

Wew this full body tattoos design looking so nice with full color and full body tattoos in sexy female model, with japanese tattoos concept so great combination color make very perfect tattoo design! wan a make tattoos like that picture? please copy that tattoos image will be rare that you compete with your tattoos

Katte's Memorial for the Artist, Gone Too Soon

I met Daniel and Katte as they were about to go into the subway station at 34th Street and 7th Avenue.

Although Katte had a lot of visible work that was interesting, she rolled up her left pant leg to show me this interesting collage on her calf:


The tattoo, along with much of her work, was inked by her step-father, who works out of his home.

The piece is a memorial for an ex-boyfriend, who was hit by a car and killed in February 2008.

He had been into Japanese art and graffiti and had drawn this on her wall. After he died, she transposed it so that it could be tattooed on her.

She wears it as a keepsake by which to remember him now that he's gone.

I thank Katte for sharing this very personal piece with us here on Tattoosday!

See what Daniel had to offer here (or just scroll up if you are reading this chronologically).

Doug's Geisha

I met Doug on Penn Plaza on my birthday.

He has 14 tattoos and was, by chance headed down to Rising Dragon Tattoos in Chelsea later that day to get more work on a traditional Japanese piece by Horisei (see his work featured previously here).

The goal is to eventually cover his whole upper body with traditional Japanese tattoo art. He already has foo dogs, demons and kite masks. The favorite piece of his that I saw was this geisha:


Just stunning work!

This was done by Sam Hambrick at Fat Kat Tattoo in Keyport, New Jersey.

Thanks to Doug for sharing his tattoo with us here on Tattoosday!

Tattoorism: Sean's Leg Piece Represents His Transformation from Child to Adult

This installment of Tattoorism comes from Sean, a reader who offered up his leg piece for our viewing pleasure. The detail above is my favorite aspect of the tattoo, which wraps around Sean's entire left leg.

In Sean's words:

"...Even though this was done in about 4 or 5 sessions, I could not describe this in any other way except as one big tattoo. Each piece works together with each other.

I consider this my growth-themed tattoo. I started the tattoo, at the age of 18, right before I graduated from high school and finished it right before entering my first year of college, a period of immense growth in my opinion. As long as I can remember, I have been drawn to Asian artwork, so at an extremely basic level this tattoo is just extremely aesthetically pleasing to me, but there is also deeper meaning.

From the Japanese folklore I have heard, koi fish are said to grow into dragons.

That was the basic premise of my tattoo, maturing from childhood to adulthood. I decided to have the koi swimming upwards to portray the different struggles experienced in this growth. The dragon has always been such a powerful image to me and a great symbol of courage and strength, two qualities I constantly strive to achieve and portray myself.

There are also two other major images in this tattoo, the pagoda and the lotus flower.

The lotus is another symbol of "growth." I always loved the idea that a lotus begins its life in murky, dark, ugly waters, but eventually grows to become a beautiful flower despite its surroundings. It's a reminder that no matter how hard things get in life, I can make it through those times and blossom as a better person.

Finally, the personal symbolism I hold for the pagoda is a house of knowledge and discipline. I hoped to achieve, and believe I have, a great amount of knowledge and discipline through my years in college and during the growth from childhood to adulthood in general.

The tattoo was done by Mike Schweigert @ Electric Tattoo in Bradley Beach, NJ.

Thanks to Sean for sharing this amazing leg piece with us here on Tattoosday!

Sean recognized that our "posts kind of drop off, completely understandably, during the colder months." Not only did he help us with content on an ink-less day, regular readers will recognize that I generally don't run sleeves, or wrap-around tattoos, on the blog, as their characteristics make them very difficult to adequately display in their full glory. It's tough to capture them fully when on the street. So a double thanks to Sean for not only sending us an elaborate leg piece, but providing a well-written synopsis of the personal meaning behind the elements in the design!

Tattoos I Know: Paul, Part 3, or, The Great Cover-Up of 2008

Earlier this year, I featured the first tattoo belonging to Paul, a co-worker and friend. Later on, he showed me his sleeve (here).

I am just getting around to show you his new work in progress, a cover-up of a tattoo on his right bicep, located above the first one of his that I featured here.

This isn't completed, but it does display a stage of the work that is interesting. Documenting it now will make it more interesting when the piece is completed.


That's an om symbol at the top of the piece. The basic design is a traditional Japanese half-sleeve. The work is done by Horisei at Chelsea Tattoo Company. Horisei inked my friend Rob's traditional Japanese tattoos (here).


Thanks again to Paul for sharing his work in progress here at Tattoosday. We're looking forward to seeing the final work in 2009!

John's Koi: Then and Now

It was only a matter of time.

I wondered when, just buy the nature of my talking to so many tattooed people, I would approach someone about Tattoosday, having already featured them on the blog.

The answer: seven months.

Here's an excerpt from October 2007:



Does that look familiar? I wrote in October 2007:

The first piece is a classic koi tattoo, done on the front of the calf. There is a dragon on the back of the leg but it is not finished yet, as color still needs to be added.

The host, John, is from the Bay Ridge area and had his koi inked at Body Art Studios on 3rd Avenue. We know the artist, Peter Cavorsi, who also runs the shop, because he is responsible for one of mine and three of my wife's pieces. I strongly recommend his shop if you live in southwest Brooklyn. His shop is clean and he does very nice work, as you can see from John's koi.

Koi are a traditional part of Japanese tattoo, and are very common subjects n body art because they represent good fortune. Despite their being regular subjects, they seldom are ever one in the same. Like snowflakes, they tend to differ from body to body, and unlike tribal pieces, I don't think I could ever get bored of koi tattoos.

John estimated that this large leg piece, including the dragon on the back of the leg, not pictured and not yet colored, took 13 hours so far. A lot of people don't realize how much time goes into elaborate pieces like these. On shows like Miami Ink, a ten-hour project can be compressed to five minutes of screen time.

Well, last Sunday, I saw the finished work, not realizing that John had been here previously. I handed him a flier at the grocery store, and he reminded me who he was. He was busy with groceries, but he promised me he'd send photos of the finished work. He estimates that Peter had spent an additional nine hours on the piece since October, making it about 22 hours in total.

That's one thing about the whole "_____ Ink" television experience, the work is edited down so much that many people don't realize how much effort goes into the large quality pieces.

And of course, John came through with these updated shots:





Thanks to John for sharing his finished leg piece with us! Stay tuned!! He also sent me photos of his other tattoos, which will be featured in a later post.