Last month I met David when I stopped after noticing his neck tattoo. However, it was his hands he offered up to us here at Tattoosday:
David works in construction and is a contractor. He also manages the band, Drew Nugent & the Midnight Society.
He has about thirty-five (35) hours of work done on his body, and he explained that these are traditional pieces on his hands.
He was inspired to have his knuckles read "True Blue" as they speak to his belief that our country has lost its values that need to be regained. Key among these values are loyalty and honor, in the traditional, "true blue" sense of the words.
To him, the panther represents that we need to fight to regain these ideals.
And the two roses represent the ideal (the healthy, red flower on the right hand) and what he called the "diminished," (on the left) that is, where we're headed with our loss of values.
David embraced these traditional elements because he feels that "the only way to have a future is to look at the past".
He had the panther done at a tattoo convention. The roses and "TRUE BLUE" knuckles are credited to Rick Meggison at Marked 4 Life in York, Pennsylvania.
Thanks to David for sharing these very cool hand tattoos with us here on Tattoosday!
Showing posts with label Traditional. Show all posts
Showing posts with label Traditional. Show all posts
Monday, November 22, 2010
David's Traditional Hands
Labels:
knuckle tattoos,
Marked 4 Life,
Panther,
Roses,
Traditional
Monday, June 28, 2010
Sean Shares a Host of Traditional Tattoos
I ran into Sean at the Foodtown in my neighborhood and when I stopped to talk to him about his tattoos (he has nine), I ended up with photos of several pieces, all of which reside on his left arm.
Most of the designs are traditional tattoo subjects, all of which were inked by Eli Quinters at Smith Street Tattoo Parlour in Brooklyn. Work from Smith Street Tattoo has appeared previously on Tattoosday here.
First up is this amazing lighthouse:
Sean explained that this tattoo is for his mother, as this tattoo is based on her "favorite lighthouse," the Fastnet Lighthouse on the most southerly point on the coast of Ireland.
Then there is this owl tattoo:
This was done for no other reason that Sean has always liked owls. If you love owl tattoos, be sure to head over to this site.
Then there is the elephant tattoo:
He has this piece because "elephants never forget".
I know we posted a sugar skull yesterday, but here's another one:
This was all Eli's design. Sean gave him free reign and likes the fact that it is unusual in that there are not a lot of colors in it, like one sees in most sugar skull tattoos. For all that have appeared on Tattoosday previously, check this link.
There is also the traditional female figure, not modeled after anyone in particular, just done in a traditional style:
And Sean's last tattoo is this bat:
He told Eli that he "wanted something spooky" that included the moon. Quinters free-handed this piece, starting with a white Sharpie and then finished with a darker Sharpie before finishing the tattoo.
What's neat about all of Sean's tattoos is that they flow nicely together, as readers can see elements of many of the tattoos on the borders of the photos of specific designs.
Thanks to Sean for sharing these amazing tattoos by Eli Quinters with us here on Tattoosday!
Most of the designs are traditional tattoo subjects, all of which were inked by Eli Quinters at Smith Street Tattoo Parlour in Brooklyn. Work from Smith Street Tattoo has appeared previously on Tattoosday here.
First up is this amazing lighthouse:
Sean explained that this tattoo is for his mother, as this tattoo is based on her "favorite lighthouse," the Fastnet Lighthouse on the most southerly point on the coast of Ireland.
Then there is this owl tattoo:
This was done for no other reason that Sean has always liked owls. If you love owl tattoos, be sure to head over to this site.
Then there is the elephant tattoo:
He has this piece because "elephants never forget".
I know we posted a sugar skull yesterday, but here's another one:
This was all Eli's design. Sean gave him free reign and likes the fact that it is unusual in that there are not a lot of colors in it, like one sees in most sugar skull tattoos. For all that have appeared on Tattoosday previously, check this link.
There is also the traditional female figure, not modeled after anyone in particular, just done in a traditional style:
And Sean's last tattoo is this bat:
He told Eli that he "wanted something spooky" that included the moon. Quinters free-handed this piece, starting with a white Sharpie and then finished with a darker Sharpie before finishing the tattoo.
What's neat about all of Sean's tattoos is that they flow nicely together, as readers can see elements of many of the tattoos on the borders of the photos of specific designs.
Thanks to Sean for sharing these amazing tattoos by Eli Quinters with us here on Tattoosday!
Labels:
bats,
elephant,
lighthouses,
Owls,
Smith Street Tattoo Parlour,
Sugar Skulls,
Traditional
Tuesday, May 18, 2010
Juli's Right Calf: A Sugar Skull and More!
Back in April, I met Juli, who hosts a dozen tattoos, and counting.
She offered up two pieces, both on her right calf.
First was this sugar skull, inked by Chris Strangebreu, who currently is working out of Studio 33 Tattoo on St. Mark's Place in Manhattan:
Always a fan of sugar skulls here on Tattoosday, I was glad that Juli was more than happy to share this tattoo. She pointed out that the flowers are Gerbera daisies ("my ultimate favorite flower ever") and that the eyes and the tips of the daisies have unusual accents. Chris used an ink known as "Japanese pink," which makes the specific areas of the piece glow in the dark.
The other tattoo Juli shared is part of what she envisions to be a larger piece that will wrap around her calf and thematically connect with the sugar skull:
This was done by Geoff Horn at the Philadelphia Tattoo Arts Convention.
I'm hoping that this won't be the last we see from Juli, and I thank her for sharing these great tattoos with us here on Tattoosday!
She offered up two pieces, both on her right calf.
First was this sugar skull, inked by Chris Strangebreu, who currently is working out of Studio 33 Tattoo on St. Mark's Place in Manhattan:
Always a fan of sugar skulls here on Tattoosday, I was glad that Juli was more than happy to share this tattoo. She pointed out that the flowers are Gerbera daisies ("my ultimate favorite flower ever") and that the eyes and the tips of the daisies have unusual accents. Chris used an ink known as "Japanese pink," which makes the specific areas of the piece glow in the dark.
The other tattoo Juli shared is part of what she envisions to be a larger piece that will wrap around her calf and thematically connect with the sugar skull:
This was done by Geoff Horn at the Philadelphia Tattoo Arts Convention.
I'm hoping that this won't be the last we see from Juli, and I thank her for sharing these great tattoos with us here on Tattoosday!
Labels:
Daisies,
Geoff Horn,
Glow in the Dark,
Guns N' Roses,
Philadelphia Tattoo Arts Convention,
Studio 33,
Sugar Skulls,
Traditional
Saturday, May 1, 2010
Amanda's Right Biceps
I met Amanda outside of Madison Square Garden in April and she graciously allowed me to pick from one of her estimated fourteen to fifteen tattoos.
I chose this piece on her inner right biceps:

This is part of a greater plan for her arm which has a "cowboys and Indians" theme.
This design, which fits the traditional "old school" style of tattoo, was inked by Christian Peters of The Devil's Rose Tattoo in Long Island. Work from Devil's Rose appeared previously here on Tattoosday.
Thanks to Amanda for sharing this old-school tattoo with us here on Tattoosday!
I chose this piece on her inner right biceps:

This is part of a greater plan for her arm which has a "cowboys and Indians" theme.
This design, which fits the traditional "old school" style of tattoo, was inked by Christian Peters of The Devil's Rose Tattoo in Long Island. Work from Devil's Rose appeared previously here on Tattoosday.
Thanks to Amanda for sharing this old-school tattoo with us here on Tattoosday!
Tuesday, February 9, 2010
Markjames' Knuckles
Last week I posted this great owl tattoo belonging to Markjames, a Pennsylvania-based tattoo artist.
Prior to sharing it, however, I also snapped his knuckles:

When I asked what this meant, he said "just a feeling". What is particularly cool about these knuckles are the traditional anchor and horseshoe standing in for the letters "T" and "U", respectively.
These were inked by Russell Kelley at Silk City Tattoo in Hawthorne, New Jersey. Work from the shop has appeared multiple times before and can all be seen under Silk City's Tattoosday label here.
Thanks again to Markjames for sharing his work with us here on Tattoosday!
Prior to sharing it, however, I also snapped his knuckles:

When I asked what this meant, he said "just a feeling". What is particularly cool about these knuckles are the traditional anchor and horseshoe standing in for the letters "T" and "U", respectively.
These were inked by Russell Kelley at Silk City Tattoo in Hawthorne, New Jersey. Work from the shop has appeared multiple times before and can all be seen under Silk City's Tattoosday label here.
Thanks again to Markjames for sharing his work with us here on Tattoosday!
Friday, September 25, 2009
Colin's Left Leg is Traditionally Flash-y
I spotted Colin one afternoon while I was waiting for another tattooed individual to get off of her cell phone.
(Not only have I come up with individual terms for things that are associated with inkblogging, but I follow a code, as well. One of its tenets is to never bother someone talking on a cell phone.)
Colin ambled by and I bounded after him, stopping him and asking about his tattoos.

His left leg is covered with traditional flash, from swallows and bombs, roses, death's head moths,

and a pin-up girl, done in the Sailor Jerry style.

He explained that the sleeved left leg is a result of being "overzealous and excited" about tattoos.
Usually I try to talk about one or two pieces, but because most of his work is just flash, I captured most of his calf.
No fascinating stories to tell, just tattoos.
Thanks to Colin for sharing his ink with us here on Tattoosday!
(Not only have I come up with individual terms for things that are associated with inkblogging, but I follow a code, as well. One of its tenets is to never bother someone talking on a cell phone.)
Colin ambled by and I bounded after him, stopping him and asking about his tattoos.

His left leg is covered with traditional flash, from swallows and bombs, roses, death's head moths,

and a pin-up girl, done in the Sailor Jerry style.

He explained that the sleeved left leg is a result of being "overzealous and excited" about tattoos.
Usually I try to talk about one or two pieces, but because most of his work is just flash, I captured most of his calf.
No fascinating stories to tell, just tattoos.
Thanks to Colin for sharing his ink with us here on Tattoosday!
Labels:
Bombs,
dagger,
Death's-head Hawkmoth,
heart,
Roses,
Sailor Jerry Tattoos,
Sparrow,
Stars,
Traditional
Thursday, September 24, 2009
Sweet Pea Shares More Classic Brooklyn-Style Ink
My last tattoo (here) was inked by Pete who uses the moniker "Sweet Pea".
I stopped by to say hi a few weeks back and I got a glimpse of him tattooing a koi on a client's leg.
Sweet Pea invited me to snap a shot of his own leg, recently inked by legendary tattoo artist Tony Polito:

This piece of classicly-inspired flash, signed by Polito himself, is another fine work of body art on Sweet Pea's canvas. See the original post featuring his ink here.
Thanks to Sweet Pea for sharing this tattoo with us here on Tattoosday.
I stopped by to say hi a few weeks back and I got a glimpse of him tattooing a koi on a client's leg.
Sweet Pea invited me to snap a shot of his own leg, recently inked by legendary tattoo artist Tony Polito:

This piece of classicly-inspired flash, signed by Polito himself, is another fine work of body art on Sweet Pea's canvas. See the original post featuring his ink here.
Thanks to Sweet Pea for sharing this tattoo with us here on Tattoosday.
Tuesday, June 16, 2009
Two for Tattoosday: Some Traditional Work Imported from California
Last week I spotted a young tattooed woman chatting with a friend outside of the Chelsea Whole Foods store. I hesitated because I was running late, but doubled back across the street and introduced myself. As it turned out, Krista and her two friends, Ryan and Jake, had recently moved from San Francisco to New York. All of them had tattoos.
Her friend Jake shared his first, but I am deferring that one to a later, more appropriate date (hint: check back on Father's Day).
After seeing Jake's tattoo, I turned to Krista and Ryan. "Who's next?" I asked hopefully.
Fortunately, I didn't get the "Wasn't the one tattoo enough?" attitude.
Krista deferred to Ryan and he offered, with his friend's assistance, this amazing piece:

I was surprised, to be honest, to see such a huge, traditional sailor tattoo on a tall young man with a finely-waxed handlebar mustache, so I had to ask what was behind this amazing piece.
He had a simple answer, "I'm American." And the logic computes on different levels. The eagle is our national bird, and the art of tattoo, which was discovered by British sailors on the indigenous populations of the South Pacific, didn't really explode in popularity until American servicemen started bringing their body art home from overseas.
There is something purely American in the naval tattoos that have embedded themselves in our cultural psyches and, although other cultures may argue the uniqueness of such art to U.S. citizens, that is the perception that has been re-enforced by our society.
This amazing tattoo was completed in four four-hour sessions by Zach Johnson at Idle Hands Tattoo Studio in San Francisco. Mr. Johnson is no longer listed on staff there but, according to his MySpace page, he occasionally pops back in from time to time.
Chest tattoos are notoriously painful and Ryan concurred: the pain, he said, especially over the diaphragm, was the worst he's ever felt ("worse than that from accidents" he has been in, he insisted). And he has seven tattoos, to boot, so he is no novice.
I turned to Krista, inquiring, and smiled when it was clear she was contributing as well. I believe it was the first time I got three people together to participate, with three very different tattoos.
She offered up this unique tattoo, also by Zack Johnson:

Krista explained that Zack had drawn up a whole series of flapper-esque, gypsy-style profiles, putting his personal spin on each one. This one has a feline appearance and, as a lover of cats, she took a shine to the design. The tattoo, as a result, has a traditional feel, but with a modified spin that makes it more unique. I particularly like the collar with the bell attached to it:

Thanks to Krista and Ryan for sharing their tattoos with us here on Tattoosday!
Her friend Jake shared his first, but I am deferring that one to a later, more appropriate date (hint: check back on Father's Day).
After seeing Jake's tattoo, I turned to Krista and Ryan. "Who's next?" I asked hopefully.
Fortunately, I didn't get the "Wasn't the one tattoo enough?" attitude.
Krista deferred to Ryan and he offered, with his friend's assistance, this amazing piece:

I was surprised, to be honest, to see such a huge, traditional sailor tattoo on a tall young man with a finely-waxed handlebar mustache, so I had to ask what was behind this amazing piece.
He had a simple answer, "I'm American." And the logic computes on different levels. The eagle is our national bird, and the art of tattoo, which was discovered by British sailors on the indigenous populations of the South Pacific, didn't really explode in popularity until American servicemen started bringing their body art home from overseas.
There is something purely American in the naval tattoos that have embedded themselves in our cultural psyches and, although other cultures may argue the uniqueness of such art to U.S. citizens, that is the perception that has been re-enforced by our society.
This amazing tattoo was completed in four four-hour sessions by Zach Johnson at Idle Hands Tattoo Studio in San Francisco. Mr. Johnson is no longer listed on staff there but, according to his MySpace page, he occasionally pops back in from time to time.
Chest tattoos are notoriously painful and Ryan concurred: the pain, he said, especially over the diaphragm, was the worst he's ever felt ("worse than that from accidents" he has been in, he insisted). And he has seven tattoos, to boot, so he is no novice.
I turned to Krista, inquiring, and smiled when it was clear she was contributing as well. I believe it was the first time I got three people together to participate, with three very different tattoos.
She offered up this unique tattoo, also by Zack Johnson:

Krista explained that Zack had drawn up a whole series of flapper-esque, gypsy-style profiles, putting his personal spin on each one. This one has a feline appearance and, as a lover of cats, she took a shine to the design. The tattoo, as a result, has a traditional feel, but with a modified spin that makes it more unique. I particularly like the collar with the bell attached to it:

Thanks to Krista and Ryan for sharing their tattoos with us here on Tattoosday!
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