Melanie's Marilyn

A trip to the laundromat on Saturday yielded a meeting with a young lady who had a couple visible tattoos on one of her feet and an ankle. Fortunately, my curiosity got the better of me because, when I asked her about them, she revealed much better work, namely this phenomenal Marilyn Monroe portrait on her inner right forearm:

This stunning work was created by the incomparable Virginia Elwood at New York Adorned. I have been fortunate to encounter Ms. Elwood's work previously here and here.

Melanie is a huge fan of Marilyn Monroe and she is proud to wear this icon on her sleeve. Clicking on the tag for Marilyn Monrow below will reveal other Marilyn tattoos that have appeared previously on Tattoosday.

Thanks to Melanie for sharing this phenomenal portrait with us here on Tattoosday!

Stacy's Amigo Tugs Her Back to Milwaukee

At the end of July, I ran into Stacy waiting for the F train at West 4th Street in Manhattan.

She had a panther peeking out from under her shirt on her back, but we couldn't get the whole tattoo in a shot, so she offered up this piece on her right arm:

Stacy is a poet and the Artistic Director of The Poetry Project at St. Mark's Church in New York City. She has been here five years and originally hails from Milwaukee.

Living next to Lake Michigan has many benefits. Having always lived in a location near a large body of water, I can relate to her admiration for the beauty of a seascape, whether it be an ocean or a great lake.

Stacy told me she enjoyed watching the tugboats in her home town, and that these small vessels are a "connective image" that draws her back to her original home.

This tattoo was designed and inked by Stephanie Tamez at New York Adorned. Work from Stephanie on Tattoosday can be viewed here.

This is also the second tugboat of the summer. The first one is here.

Thanks to Stacy for sharing her tugboat with us here at Tattoosday. Perhaps we'll see her panther when the Tattooed Poets Project returns next April for its third year!

Under One Small Star - Two Tattoos from Anna

I met Anna earlier this month in Penn Station. I felt compelled to stop her when she walked by and I caught a glimpse of this amazing tattoo:

I love seeing ink that is new and original, and I had never seen a line of anything run up the length of a leg like this.

Anna explained that this was a line of poetry that reads "My apologies to time for all the world I overlook each second" that she heard on a trip to Cambodia. Her group leader, Jan, had shared the poem, "Under One Small Star" by Polish Nobel Laureate Wislawa Szymborska, and the verse meant a lot to her during her trip there. This one specific line really resounded with her, so she first "paid a Khmer translation site and then had a friend [she] made in Cambodia, Ponheary, check the translation just to make sure it was correct".

I love the international flavor of this tattoo - a poem originally in Polish, translated to English, then re-translated to Khmer, transcribed in flesh in America!

The line runs from top to bottom and was inked by Jason at Powerhouse Tattoo Company in Montclair, New Jersey.

The poem is reprinted in its entirety at the end of this post.

Since it is Tat-Tuesday, let's look at a second tattoo from Anna, this one on the back side of her right arm:

This is Joan of Arc, "a hero of mine," says Anna, who admires her from the feminist perspective and finds her an "unbelievably inspirational" historical figure.

This piece was tattooed by the wonderful Stephanie Tamez at New York Adorned. Stephanie's work has appeared previously on Tattoosday here.

Thanks again to Anna for sharing these two of her seven tattoos with us here on Tattoosday!

Under One Small Star

My apologies to chance for calling it necessity.
My apologies to necessity if I'm mistaken, after all.
Please, don't be angry, happiness, that I take you as my due.
May my dead be patient with the way my memories fade.
My apologies to time for all the world I overlook each second.
My apologies to past loves for thinking that the latest is the first.
Forgive me, distant wars, for bringing flowers home.
Forgive me, open wounds, for pricking my finger.
I apologize for my record of minuets to those who cry from the depths.
I apologize to those who wait in railway stations for being asleep
today at five a.m.
Pardon me, hounded hope, for laughing from time to time.
Pardon me, deserts, that I don't rush to you bearing a spoonful of water.
And you, falcon, unchanging year after year, always in the same cage,
your gaze always fixed on the same point in space,
forgive me, even if it turns out you were stuffed.
My apologies to the felled tree for the table's four legs.
My apologies to great questions for small answers.
Truth, please don't pay me much attention.
Dignity, please be magnanimous.
Bear with me, O mystery of existence, as I pluck the occasional thread
from your train.
Soul, don't take offense that I've only got you now and then.
My apologies to everything that I can't be everywhere at once.
My apologies to everyone that I can't be each woman and each man.
I know I won't be justified as long as I live,
since I myself stand in my own way.
Don't bear me ill will, speech, that I borrow weighty words,
then labor heavily so that they may seem light.

--Wislawa Szymborska

Claire's Hemaris Thysbe Flutters on Her Forearm

Butterfly tattoos can be a dime a dozen (no offense, butterfly fans), but moths, on the other hand often get a bum rap, taking a back seat to their more flamboyant insect cousins. To the chagrin of some inked lepidopterists, you don't see as many moth tattoos. This, however, is a lovely exception, perched on Claire's forearm:

This is Hemaris Thysbe, more commonly known as the Clear Wing Hummingbird Moth, a beautiful insect that gets its name from its large size and rapid wing speed.

Claire, who I met in Borders at 2 Penn Plaza, is originally from Vermont and this moth reminds her of back home. There are certainly no Hummingbird Moths fluttering about New York City!

She found a picture she liked and took it in to Yoni Ziebler at Brooklyn Adorned where he recreated this lovely specimen.

Work from Adorned appears here often and can be seen together under this tag.

Thanks again to Claire for sharing her Hummingbird Moth with us here on Tattoosday!

Brian's Mat-tree-monial Tattoo

Late last month, I met Brian on the 34th Street A platform and he shared this amazing tattoo:

The piece was relatively fresh, having been inked only a couple weeks before.

He explained that this tree represents the Tree of Life. He alluded to the roots that spread out, firmly symbolizing family.

Brian also explained that it was an investigation piece: he added a key, hanging from a branch. This symbolizes his desire to unlock the meaning of life.

What's doubly special about this tattoo is that it is also a marriage tattoo. Brian's wife has a similar tree on her right arm (Brian's is on the left), only with cherry blossoms instead of a key, and a baby in the design as well.

The couple are linked not only by their vows, but by their similar ma-tree-monial tattoos. Sorry, I couldn't help it.

The tattoo is by Kaz at Brooklyn Adorned. Work from Kaz has appeared previously on Tattoosday here. And this tag, links all previous Adorned work on the blog.

Thanks to Brian for sharing this amazing tattoo with us here on Tattoosday!

Belinda's Penny-Farthing

At the end of May, I spotted Belinda's unusual bicycle tattoo on the 34th Street subway platform during Friday afternoon rush hour:

Of course, I asked her about this piece on her left ankle, since it isn't too often you see old-fashioned bicycle tattoos on people.

Belinda explained tha a while back she had gone on a pilgrimmage to Spain, which included a 100-mile trek on bicycles. This design is of the "high wheel bicycle" that was introduced in the late 19th century and is more commonly referred to as the penny-farthing. She told me that this was a much more efficient bicycle than had been seen before. The larger wheel allowed it to travel better, although the falls from a much greater height were a problem.

Belinda added,

"The purpose of the pilgrimage was not religious but more a curiosity to see this path (the Way of St. James) that people have been taking for hundreds and hundreds of years just because of faith. I felt it was a great way to see the real "Spain" by riding through the small villages and woods...we ended in Santiago de Compostela..."

This tattoo was inked by one of the artists at NY Adorned. Work from Adorned has appeared previously on Tattoosday here.

Thanks again to Belinda for sharing this cool tattoo with us here on Tattoosday!

Nadine's Ankh and Orchids

I met Nadine last month and she was kind enough to share this beautiful floral piece with us:

The symbol in the foreground is her own "stylized version" of an ankh, a symbol dating back to ancient Egypt which means eternal life.

She has orchids added to the piece because her mother loves those flowers.The orchids were inked about five years ago which is remarkable because reds and yellows tend to fade more quickly on the skin and, Nadine notes, "so far my color has held true".

The ankh took about 45 minutes to do while the rest of the tattoo took five and a half hours over two sittings.

She wanted to point out that the outline is done in purple ink, not black, a nice artistic touch that she convinced her artist was a good choice.

This lovely tattoo was done at New York Adorned, by Brian Randolph.

Work from NY Adorned has been posted previously here (links to all posts tagged NY Adorned).

Thanks again to Nadine for sharing this fantastic tattoo with us here on Tattoosday!

Stevie's Tattoo Calms and Inspires

Last Wednesday marked the official end to the veritable tattoo drought this winter in New York has afforded us here on Tattoosday.

In addition to the three people I met at lunch, my train ride home and, subsequently, my day, was punctuated by a fleeting encounter with a woman named Stevie on the R train.

I had just plopped down in one of the seats after having moved car-to-car between stops, in an effort to get toward the back of the train. I mention this to illustrate how fortunate I was to be where I was, when Stevie boarded the train.

She got on at one stop and, by the time she had exited two stations later, I had had just enough time to take a picture of the wonderful tattoo on the back of her right calf, and pass her the blog info so she could contact me with more details.


Stevie has seven tattoos and this one came from the incomparable New York Adorned at the talented hands of Virginia Elwood. Stevie worked over several sessions with Virginia, ironing out the details of the piece, which was completed in one sitting.

There are three elements to the tattoo: the lotus, the hamsa, and the peacock feathers.

Via e-mail, Stevie explained:

I moved out here from the West Coast to teach in inner-city schools. When I first started teaching and things would get nerve-wracking I'd tap on this hamsa hand necklace I always wore. For whatever reason it calmed me down and reminded me that I was here to infuse some change and to do some awesome work. When I became an NYC Public School teacher I decided I'd like it on me permanently. The hamsa hand is a symbol of faith and clarity and that's what I think I found in myself, like my calling. The lotus flower goes along with this idea of rising to the surface and blossoming while the peacock feathers were an aesthetic touch.

Work from New York Adorned has appeared previously on the site here.

Thanks so much to Stevie for sharing her amazing work with us here on Tattoosday!

Alyssa's Tattoos: A Little Bit of Art, A Little Bit of Soul

Generally speaking, New Yorkers tend to avoid speaking to one another on the subway, or the subway platforms. As one would imagine, you see a lot of great ink on the trains, and I've become less and less concerned when it comes to breaking the "don't talk to strangers on the subway" rule.

I met Alyssa on the subway platform at Court Street in Brooklyn and she shared two very interesting tattoos with me.

She first offered up this very interesting piece on the inner part of her upper left arm:


For the full effect, this is what the edges look like as they wrap around the arm:


This design is actually a replica of a bracelet she used to wear, a piece that was designed by her maternal grandfather. He was a jewelery designer by trade. The bracelet was constructed of sandcastle silver and inspired by Zuni art. The Zuni of the American Southwest are known for their skill in silversmithing.

I asked Alyssa why she chose a bracelet to be tattooed on her and she informed me, "I was coming back to who I was as a person" and that she wanted to put something artistic on herself. Incorporating an object that was an artistic creation of her grandfather made sense to her.

I was pleased when I asked her about this tattoo as well, and she kindly allowed me to take the picture:


This tattoo is on the back side of her upper right arm, and I was fascinated by its unusual design. She explained that a good friend of hers is an American Sign Language (ASL) translator, and that the figure is demonstrating the sign for "Soul". The way motion is depicted in the tattoo is completely brilliant, in my opinion.


Both tattoos were inked by Daniel Santoro at New York Adorned. He's now at Smith Street Tattoo Parlour in Brooklyn.

Thanks to Alyssa for sharing these lovely tattoos with us here on Tattoosday!

Joe's Martini Girl

I spotted Joe outside of Madison Square Garden after work last week.

Joe is not sure how many tattoos he has, but offered up this one, on the back of his right forearm:


Joe said that this tattoo is "the first one I ever wanted to get, but the last one I ended up getting."

The piece was inked by Tom Yak at New York Adorned. Tom did add a bra and panties to the pin-up reclining in the martini glass, for the sake or propriety. Work from New York Adorned has appeared on Tattoosday previously here.

Thanks to Joe for sharing this cool tattoo with us here on Tattoosday!

Megan's Numeric Neck tattoo

On a day when my wife was tattooed with a lucky "13," it seemed fortuitous when our waitress at dinner unveiled her numeric tattoo:


Born on April 7, Megan had these hash marks inked onto the back left side of her neck.

Because of the numbers 4 and 7 being significant in her life (aside from their analagousness to the seventh of April), she chose a rather unorthodox forty-seven lines, inked up like a scorecard.

This was tattooed at New York Adorned.

Thanks to Megan for baring her neck in the line of duty and sharing with us here on Tattoosday!

Mara Shares a Decorative Tattoo

I met Mara this afternoon in the plaza at the corner of 39th Street and Broadway. She was kind enough to share the above tattoo, inked on her left forearm.

She talked to me as she finished her soup, and I'm appreciative of that, as I felt a little guilty intruding on her lunch break.

Mara notes that this piece is "purely decorative". It was tattooed by Stephanie Tamez at New York Adorned, based on a design created by her friend Katherine Irwin.


The tattoo is inspired by the work of Aubrey Beardsley (who provided inspiration for a previous Tattoosday entry here). The lines and design, especially the peacock feathers, have a Beardsley-esque feel to them.


Thanks to Mara for sharing this beautiful tattoo with us!

A Butterfly Koi Rising on the Arm of Belquis

Had I not forgotten to get my daughter Shayna her copy of Judy Blume's Tales of a Fourth Grade Nothing, I wouldn't have wandered into the Court Street Barnes & Noble in Brooklyn on Labor Day and spotted this awesome butterfly koi above.

Belquis, who has five tattoos, explained that this tattoo represents an interpretation of the koi fish mythology, where the koi is rising out of the water, about to turn into a dragon.

The piece was designed by her friend Karleen Ang, and inked by Kazuhisa (Kaz) Matsumoto at New York Adorned. Belquis has been loyal to Kaz since he was an artist working out of his home. When he moved to Adorned, she followed.

Belquis added, "All five of my tattoos were done by Kaz...I have an ohm (neck), the ambigram (neck), dark fairy (left back shoulder), my first and middle name in Arabic under the symbol for Zahir (right back shoulder). All black." Who knows? Maybe we'll see more of Bel's ink in the future here on the blog.

Work from NY Adorned has appeared on Tattoosday previously here.

Thanks to Belquis for sharing her awesome tattoo with us here on Tattoosday!

Burn My Body: Carson Honors a Difficult Decision

Needless to say, I was amazed.

Our paths intersected at 23rd and 7th around Noon. He had neck work and a sleeve, and an incredible lighthouse tattooed on the back of his left leg (for his fiancée, he later explained), but I didn't think I'd catch him. He was walking faster than me, and had earbuds in. I generally don't like to a) interrupt people listening to music and, b) chase them.

But I happened to be walking the same direction and, when I noticed he had stopped to look into the windows of Dan's Chelsea Guitars, condition "b" was no longer a factor.

I approached him, distracted him from his ear buds, and introduced myself. I forgave myself the interruption because his work was so well done.

As I always do, when speaking with folks with multiple tattoos, I asked him which meant the most, which piece I could feature here on Tattoosday. He acknowledged that he had a chest piece which was "in progress". Did he mind showing me on the street? As the photo above indicates, not at all.

Excuse my manners. I didn't introduce our host properly. The guy on the sidewalk displaying has tattoos just downstairs from the Hotel Chelsea was Carson James.

Carson is a Brooklynite that plays bass in a band called Tombs (click to hear some of their stuff on their MySpace page).

And when he pulled his shirt off, I was expecting a great chest piece, but nothing like what scrolled across his body.

Carson confirmed, the words were the complete lyrics to a song, "Burn My Body" by William Eliot Whitmore.


"What," I asked, "is the significance of this song that made you want to preserve it forever on you like this?"

He told me how, about two years ago, his younger brother, Trevor Lorne James, was killed in a motorcycle accident in New Jersey. His parents were understanably distraught over such a devastating event, and the decision fell to Carson - his brother's body was cremated.

Here are the lyrics to "Burn My Body":

Burn My Body

Burn my body in the northern field
and let the wind blow the ashes around
Then you will know that my wounds have been healed
'cause Lord I'll be homeward bound

Let the flames warm your hands
let the glow light your way
These gifts to you I bestow
No one's listening don't bother to pray
if you do I'll never know
Up and up the smoke will roll
like a cloud of frightened crows
carry my not so immortal soul
up between the rows

Some words that are said can cut like a saw
and my ears nearly bled at the sound
I can't help prepare for the springtime thaw
'cause Lord I'll be homeward bound
When frost turns to flowers and they all start to bloom
and there's nothing left to hold
tip one back and sing me a tune
and never let the fire grow cold

You can see a video of Whitmore performing the song here.

We talked about cremation and I asked if he had ever heard the poem "Cremation" by Robinson Jeffers (read it here). I promised to e-mail it to him later.

This piece, and most of Carson's work was inked by Thomas Hooper, an incredible tattooer who worked out of Frith Street Tattoo and Piercing in London, and now works out of New York Adorned's Brooklyn shop. You can see more of Hooper's amazing work on his web site here. The quality of Hooper's tattooing is truly awesome.


Carson also gave me some more background on his other work (which I did not photograph). His right arm is sleeved with a depiction of Samuel Taylor Coleridge's "The Rime of the Ancient Mariner" and, as mentioned earlier, the lighthouse is for his fiancée.

It should also be noted that this is another first for Tattoosday, as Carson is the host here whose face is visible in a tattoo shot. Understandable (and appreciated) due to the size of the featured work.

Thanks so much to Carson for sharing his ink with us here at Tattoosday!

Two Stars Shining on Nicole

A common Tattoosday ritual for me is to go to the bank at lunch and, time permitting, head over to the Manhattan Mall and make a circuit through the food court, before heading back to the office.

Needless to say, as any regular Tattoosday reader could tell you, pickings have been slim since the mercury dropped below 50 for the season.

Yet I am an optimist, and forever on the lookout for ink, as evidenced by last week's "Queen of Hearts" post.

However, my hopes were slim as I headed out at lunch and encountered a drizzle that the meteorologists hadn't forecasted until the evening. Nonetheless, I went to the bank on 6th Avenue and then visited the mall.

The location introduced me to Alex (here) and has had promising ink displays, discovered only when the weather drove me indoors. I passed out a flier or two in the food court earlier this winter, but to no avail. The one problem with the food court is inherent in its very nature. Most
denizens are eating, and I am reluctant to disrupt the meals of people, tattooed or otherwise.

On Tat-Tuesday, I made the food court pass, seeing nothing, and was on my way out when two
tattooed stars behind a young woman's ear caught my eye:


To be honest, I've never been bowled over by stars, but these were colorful, and it is January, and even the simplest tats can be fraught with meaning.

Nicole was sitting alone (another plus, on the approachability scale, as I tend to shy away from groups) and she had a coffee and Cinnabon on the table, as she played with her cell phone.

I approached and asked if I could talk to her about her stars and she gladly obliged.

Nicole and I discussed the two stars behind her right ear.

They have no significance, they are just decoration, "for the hell of it," done partially out of boredom.

So the next question is generally the "how many do you have" inquiry. Nicole reacted to the question like most people who have a ton of ink: uncertainty. My limited experience leads me to believe that, somewhere between twelve and eighteen, one loses count.

At that point the ink has taken on a life of its own, and the clusters, sometimes themed, sometimes not, become sleeves.

Such was Nicole's situation: under the winter coat and long pants blossomed an explosion of colorful ink. I did not see them, nor did I ask, but she catalogued a host of designs, "mostly girlie stuff," like stars, flowers, and hearts.

"About six years worth..." of accumulated ink.

Like most people, Nicole is loyal to one shop, New York Adorned (featured previously here and here on Tattoosday). The artist who inked the "baby pink" and "baby blue" stars was Bryan Randolph.

Thanks to Nicole and her two shining stars! Here's hoping she'll make a return to Tattoosday in the future!

You Must Believe in Spring

I think that what makes Tattoosday successful are all the interesting, unusual, pieces that most people walk by, see, and wonder, "What the heck is that tattoo all about?"

I'm going a little bit out of sequence here, as I still have two sets of tattoos from last week (from Mike and Jörgen) that I am still writing up. This one, however, is a little less work so I am getting it out of the way first. I spotted this on the inner arm of a guy waiting outside of Starbucks at the corner of 92nd and 3rd in Bay Ridge:

It seemed pretty unusual so I stopped and asked him about it. He told me that it was an album cover. "Which one?" I asked. This one:

Clarence, the possessor of the tattoo, had this representational tattoo inked in honor of Bill Evans' 1980 album You Must Believe in Spring.

The piece was tattooed at New York Adorned.

I would have delved further into why this album was so important to him that he had it tattooed onto his arm, but the person he was waiting for came out with his coffee, and his dog started barking at other dogs, so I figured I wouldn't bother him anymore.

Clarence, thank you for your contribution to Tattoosday and, if you'd like, feel free to e-mail me
as to the significance of this record.

Welcome to His Nightmare

I was walking up Seventh Avenue, headed back to work, and contemplating the left ankle of a young woman. She had a tattoo of the Black Flag logo (just the bars):

but she was traveling with two friends. I have a harder time approaching people in pairs or groups, for some reason, perhaps because I fear not the rejection of one person but of two or more. Imagine: I approach a person and ask them about their tattoo. Their friend shoots them a "Who is this dork?" look and the tattooed is less likely to be forthcoming about their art. I also don't like to intrude on conversations and/or stop people who are moving. It's a courtesy thing, I guess. Although, if someone is sporting an incredible tattoo, I may suspend these "rules" for a shot of an amazing piece of body art.

So there I was, walking uptown, thinking it will likely not be the day for the Black Flag ankle tattoo, when I spotted a guy leaning up under a scaffolding. He had ear buds in and was reading, but his tattoo was interesting enough that it was worth disregarding those two deterrents.

This is the piece that was on his upper right arm:


Now, wouldn't you say that's fairly unusual? I just had to get to the bottom of this one. Before you continue, click the photo to see it in greater detail. It blurs a little, but you get a better idea of the full piece.

This tattoo resides on a guy named Losie, a resident of New Jersey. I introduced myself and he was very receptive, removing his ear buds and speaking very openly about his tattoo. This was his second tattoo (more on #1 later). It originated from his finding the art of Greg Simkins online at his website IMSCARED.com. The tattoo was then inked by Damion Ross at New York Adorned in the East Village.

So why did he choose this artwork for himself? "It reminded me of having nightmares when I was a kid," Losie related, "The kid is me."
Greg Simkins seems like a perfect match, then, for Losie's nightmare motif. If you look at his site, you can peruse dozens of his paintings, sketches, and drawings and they all resonate with a sense of the macabre, depicting spectacular, colorful visions of an imaginary world in which rabbits are terrifying and inanimate objects come to life.

Losie definitely has a fascination along the same lines, and indicated that he would eventually like to have an entire sleeve dedicated to the horror genre.

The kid in the tattoo is having a nightmare, he is on his bed. The headboard appears as rows of teeth, things are crawling in through the window and from under the bed. Even his pillow is terrifying:


I asked him about the tattoo on his other arm, he indicated it was done at a shop in Burbank, California, where he had lived for a couple of years.

The tattoo is the logo for the band Coheed and Cambria.


Interesting, I was following a Black Flag tattoo and found a Coheed & Cambria one instead. Losie explained the bats around the logo as a reference to an ex-girlfriend. He elaborated, "Her name was Jamie, so I added five bats, because Jamie has five letters in her name."

He then directed me back to the first tattoo:


"See the purple skull coming out from under the bed?"


"That's for my ex-girlfriend Violet."

Do note, all quotes are approximate and may not be 100% accurate. I took notes but did not write down exact statements. The messages, however, are accurate.

Losie did allude to a third tattoo, on his stomach, but we didn't discuss the exact location, or what the piece consisted of.

Thanks again to Losie for his participation!